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“Processional” allures, led initially by trombone accompanied by the rhythm section.
Less than one minute in duration, the brief intro serves as an inviting and proper prelude to the ‘Sunday services’ by all means.
The horns sound gorgeous while stating the melody, with reverence serving as the goal.
Piano stars throughout, with its predominately chordal improvisations following the head of the hymn tune.
Now midway through its third season, the show is still surprising viewers with its plot while maintaining a consistently thrilling and paranoid mood.
premiered, Jean Renoir and his collaborator Jacques Prevert were riding the wave of enthusiasm surrounding the advent of the Popular Front, which had just that year swept Léon Blum into power as the first socialist Prime Minister of France (not to mention the first Jew to hold that office—a mere 30 years after the conclusion of the Dreyfus Affair) surrounded by a government composed of a coalition of leftists.