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When the gang performs Victoria Williams' "Century Plant" -- heard here as the buried masterpiece that revives Handley's dormant soul -- the uplift is brazenly unironic.
This attitude toward character is a key element of the theatricalization of experience embodied in the Camp sensibility.
For all of its conceptual sophistication, the movie can be as ragtag as the campers' musical numbers.
It's not terribly shapely, and the script sags in parts.
Not least of the redemptions-in-waiting is camp counselor Bert Handley (Don Dixon).
A has-been with a drinking problem, the former Broadway hitmaker plays the party-pooper who rains on the camp's parade. " the disbelieving Bert asks the aspiring thesps at one point, before launching into a tirade about the unhappy future in the service industry that awaits them all. Will an impromptu performance of his unperformed opus do the trick? Defiantly cliché-ridden and unabashedly hokey, Camp aspires to the condition of its title.
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The filmmakers' affection for their source material and the thea-tuh is as obvious as it is infectious.