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(Nadia’s personality was such that to the end of life she could hold an audience enraptured by the music of her voice alone.) Of Lili’s strength of character a number of contemporary reports have come down to us; but the soundest evidence of all is, of course, provided by her music, in which masculine and feminine elements are startlingly juxtaposed.

She had star quality, a passionate inner life, inner energy, enthusiasm, awareness, strength of thought, poetic sensibility, involvement, gravity of purpose, discipline, concentration – her life and music bear testimony to all these, and I dare say she lived the span of her twenty-four years as intensely as those who achieve their statutory three-score-and-ten and more.It must be nearly thirty years since, as a student, I first encountered the music of Lili Boulanger on the classic Markevich record originally issued on the Everest label in the USA (and subsequently available on EMI).I was transported by what I heard and immediately wrote to her sister Nadia, then in her eightieth year but still teaching and functioning with the same formidable energy that had won her pupils and admirers the world over for fifty years.I have kept in sporadic contact with her music, and produced a (now deleted) record of chamber works for Unicorn-Kanchana in 1982, three years after Nadia’s death.Biographies of both Nadia and Lili have since appeared containing much fascinating food for thought.

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