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, and his portraits of the leading personalities of the post-World War II art world, which included actors, authors, dancers, and artists.A committed pacifist during World War II, Bissinger’s activism grew through his involvement with the Greenwich Village Peace Center and antiwar, draft counseling, and amnesty work for the War Resisters League in the 1960s.New York, April 1921Gift of William Homer This short–lived journal appeared at the end of the New York Dada movement.French avant–garde artist Marcel Duchamp (1887–1968) had attempted to launch several other Dadaist periodicals, including .Arthur Miller Notebook, 1941-1942Gift of the estate of Barrie Stavis This notebook comprises handwritten notes taken by playwright Arthur Miller dating from December 1941 through the early part of 1942.
Spanish Civil War propaganda pamphlets, circa 1937–1940Gift of the estate of Barrie Stavis Stavis collected propaganda from a variety of Loyalist factions. Dukore This handwritten letter from Stavis to University Distinguished Professor Emeritus of Virginia Polytechnic Institute and State University Bernard Dukore concerns recent Eastern European productions of his play promotional brochures, 1976Gift of Neala Schleuning Material promoting a 1976 documentary film by the Twin Cities Women’s Film Collective about the life and work of American author Meridel Le Sueur (1900–1996).
Taking the concept of readymade art to the extreme, “The Fountain” indicts notions of high and low art and challenges the valuation attributed to the creation process.
Also included in this issue of Roger Yarborough “Ramjet,” 1970. Graphenreid, Woody Johnson, and Chapelle Lettman, he attended the California School of Arts and Crafts in 1969 where he was enrolled in a semester–long Black Studies Fine Arts program.
Duchamp petitioned French–Romanian poet and one of the founders of the Dada movement Tristan Tzara (1896–1963) for permission to use the word “Dada” in the work’s title; Tzara’s response is included in the text.
Poems by American painter and poet Marsden Hartley (1877–1943) and German avant-garde poet and performance artist Baroness Elsa von Freytag-Loringhoven (1874–1927) also appear in this issue.