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The film, albeit in that fictionalized Hollywood way, chronicles the beginnings of Nanjiani and Gordon’s real-life romance, which thanks to the couple’s (now-defunct) podcast and the fact that Nanjiani was mentored by producer Judd Apatow on the project, arrived in Park City with loud advance buzz.
"In mosque after mosque, this should be raised as an issue so that anybody remotely involved should start to feel that the community is turning on them," she said.
Nanjiani’s wry voice and culturally specific observations about the world infiltrate the entire film, as does Showalter’s fine-tuned ability to depict connection and intimacy in a crowd-pleasing manner.
Speaking of crowd-pleasing, Apatow’s Midas touch has a hand in that, but also in so many other elements of its films—specifically the fact that it, like most Apatow productions, runs about 30-40 minutes longer than it needs to and has a maddening number of false endings.
The Blackburn MP spoke out last year after two Asian men who abused girls in Derby were given indeterminate jail terms.
He said there was a "specific problem" in some areas where a minority of Pakistani men "target vulnerable white girls".